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This book will transform your life for the better, bringing you guaranteed financial results. But it will do more than that. It will change every area of your life: marriage, family, health and relationships. For when God changes your heart from selfishness to generosity, every part of your life-journey is affected. If all believers followed the practical guidance of The Blessed Life, every church could be built, every nation would have an abundance of missionaries—and all would reap the benefits of having a generous heart. With humor, passion and clarity, Robert Morris presents the secrets of living a blessed life both financially and spiritually.

• Sales Rank: #66528 in Books
• Published on: 2004-09-08
• Format: Bargain Price
• Number of items: 1
• Dimensions: .76" h x 5.71" w x 8.70" l,
• Binding: Hardcover
• 224 pages

From the Back Cover
This book will transform your life for the better, bringing you guaranteed financial results. But it will do more than that. It will change every area of your life: marriage, family, health and relationships. For when God changes your heart from selfishness to generosity, every part of your life-journey is affected. If all believers followed the practical guidance of The Blessed Life, every church could be built, every nation would have an abundance of missionaries—and all would reap the benefits of having a generous heart. With humor, passion and clarity, Robert Morris presents the secrets of living a blessed life both financially and spiritually.

About the Author
ROBERT MORRIS is the senior pastor of Gateway Church in Southlake, Texas. He is a gifted communicator with over 20 years of experience imparting biblical principles on prosperity and personal growth. His passionate, practical and often humorous presentation touches believers and impacts even the unchurched. Pastor Robert resides in Texas with his wife and three children.

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9 of 9 people found the following review helpful.
Excellent!
By L Benton
The best book on why you should tithe. Not for what you can get but giving from the heart without expecting something in return.

0 of 0 people found the following review helpful.
Best book out there!
By T. Petrali
This is the best book I have ever read about the principle of tithing and stewardship. If you have any questions or doubt on why, how or how much, this book is a must read!

0 of 0 people found the following review helpful.
Four Stars
By Kris P.
An excellent book for Christians to read.

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[V568.Ebook] PDF Download Bartholomeus Spranger: Splendor and Eroticism in Imperial Prague (Metropolitan Museum of Art (Hardcover)), by Sally Metzler

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Celebrated for his erotically charged allegories with amorous couples entwined in intimate poses, Bartholomeus�Spranger (1546–1611) was a leading master of Mannerism, �working for influential patrons across Europe, including the Emperor Rudolf II in Prague, where he was known as one of the first truly international artists. This comprehensive book, the first publication devoted to Spranger’s influential life and career, features nearly all the paintings, drawings, and etchings by this artist from some of the most renowned museums and private collections in the world.
�
Despite the widespread fame and influence he achieved during his lifetime, Spranger has become an elusive and misunderstood figure. This book rectifies that omission, examining Spranger’s extraordinary life and work against the backdrop of European culture, politics, and intellectual history and tracing his artistic journey from apprenticeship in Antwerp to triumph in Prague, with sojourns in France, Italy, and Austria. �This sumptuous publication is a major contribution to art history, restoring Spranger to his rightful position as one of the most important and influential artists of the era.

• Sales Rank: #886616 in Books
• Published on: 2014-12-09
• Original language: English
• Number of items: 1
• Dimensions: 10.87" h x 1.75" w x 9.80" l, .0 pounds
• Binding: Hardcover
• 380 pages

About the Author
Sally Metzler is guest curator at The Metropolitan Museum of Art and adjunct associate professor at Northwestern University.

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14 of 15 people found the following review helpful.
Spranger from Antwerp to Prague: A Definitive Study
By Kenneth Hughes
The volume, the first extensive study of Bartholomeus Spranger in English and the most comprehensive survey of his work in any language, serves two functions. It is, first, the catalogue of the exhibition of the same name at New York's Metropolitan Museum of Art from November 2014 until February 2015. This is a major exhibition, the first ever devoted to Spranger's art, and it collects works from over fifty institutional and private lenders worldwide. Second, it goes far beyond its exhibition function and comprises a catalogue raisonn� of the artist's complete works as painter, draftsman, and etcher and includes also all the known engravings after his work. As the first full-length biography and critical study of him, it is the product of an immense amount of research and thought on the part of the volume's sole author, Sally Metzler, an art historian at Northwestern University, who organized the show as Guest Curator at the Met. She mentions in her introduction that her first encounter with Spranger was in Munich's Alte Pinakothek, on a wintry day that marked the beginning of a "lifelong study" (7). She does not say exactly how long ago that encounter occurred, but it is clear from the depth and breadth of her scholarship that she has spent decades on this book. Her material, however, is completely up to date, noting even the May 2014 death of Cornelius Gurlitt (the reclusive Munich art hoarder whose father was one of Hitler's four official dealers in stolen art), who may have had a Spranger painting in his trove. This is an enormous compendium of information about Spranger and his art, but it also puts him in context with the patrons and other artists he encountered as his travels took him from Antwerp, where he was born in 1546, through France and Italy, to Vienna and finally to Prague, where he died in 1611. In her fifty-page introductory essay and biographical sketch, Dr. Metzler clearly demonstrates the complex interweaving of various influences in the evolution of Spranger's style, as he traveled and picked up techniques and ideas from fellow artists with whom he worked or whom he studied. Trained initially as a Flemish landscape painter, his sojourns in France and Italy exposed him to the various devices of the Italian Mannerists, such as Parmigianino's figural elongation; and when in Rome he was strongly influenced by the "monumental-in-miniature" technique that Giulio Clovio had adapted from Michelangelo, along with his pronounced Michelangelesque muscularity. These and other artistic threads from North and South eventually united to make up the kind of Central European Mannerism that became the hallmark of Spranger's mature style, which characteristically features Northern landscapes grounding the suggestive foreplay, post-coital lassitude or general erotic intertwining of deities and select mortals who have clearly spent a lot of time in the Olympic Gym. Dr. Metzler sheds good light on the development of a specifically Rudolfine aesthetic--the Emperor knew what he wanted from his artists, and his foremost artist was Spranger: he even insisted that Spranger maintain his studio within the confines of Prague Castle itself and work there for seventeen years, so that he could pop in from time to time and keep an eye on the work in progress. Rudolf was something of an odd duck, not overtly perverse, but apparently a bit hypersexed, and the author is particularly good at describing how his artistic tastes--which tended toward the intellectually esoteric, secular, and erotic--influenced the establishment of that aesthetic and the practice of his artists: "Splendor and Eroticism" is a precisely evocative expression for what this art is about.

The volume reproduces all of Spranger's known works and all known primary engravings after them, and so it is a superbly illustrated book, with a total of 232 reproductions accompanied by seventy companion illustrations. It is organized by genre into three catalogues, each chronologically arranged, with those works exhibited at the Met so indicated: Cats. 1-88 are the paintings, from 1567 to 1610; Cats. 89-156 are the drawings and etchings, from 1571/72 to 1605 (only three etchings are now known of a possible six that he may have done); and Cats. 160-232 are the engravings after his work. Some of these reproductions are full-page, but most are at least half-page, and all are large and clear enough to be easily legible. The paintings are reproduced in fine color and definition. Each reproduction receives a fully annotated commentary including marks, provenance, references to the literature, and significant copies in various mediums. One distinguishing feature of the engravings catalogue is the transcription and translation into English of all writing, whether dedication, signature or the sometimes rather long accompanying verses; this is a boon to those whose Latin is not sufficient to read the original, for much of it is Ovidian in origin, and it is entertaining to see the homiletic uses to which the "Metamorphoses" can be put. Dr. Metzler's attention is not to the specific qualities or mechanics of the engraving, but rather to Spranger's artistic input, and in this regard they add an important dimension to the entire survey: since Spranger's preparatory drawings for most of the prints no longer exist, the prints themselves are valuable witnesses to his artistic development. The catalogue is limited to primary engravings; the author notes that to include secondary engravings, copies, etc. would be virtually impossible since they are innumerable and geographically boundless, a fact which in itself points to the enormous popularity of Spranger's works during his lifetime and in the decades and even centuries after his death. It is certainly an anomaly of art history that this fascinating body of work has not been investigated so extensively before. This book more than compensates for that relative neglect: Dr. Metzler's scholarship is so encompassing and meticulous that I can't think of any reason why we should need another Spranger book for a couple of generations at least. In view of the author's extensive commentaries, not much scholarly apparatus is required, but there is an appendix gathering misattributed and indeterminate works as well as drawings copied after lost originals, a substantial general bibliography, and a comprehensive index. This is a monumental achievement, a significant contribution to the history of Western art, and highly recommended for all those interested in the artistic treatment of mythological themes, Mannerism, or Central European art and culture in the late sixteenth century.

0 of 0 people found the following review helpful.
Great exhibition, great catalogue
By Rick
Great exhibition, great catalogue

0 of 1 people found the following review helpful.
Not a good idea because they are both so luscious and sensual ...
By Paul Harmon
I received this book at the same time as "Pleasure and Piety: The Art of Joachim Wtewael". Not a good idea because they are both so luscious and sensual and alluring. Which to dive into first? I suggest you get both and have the lovely problem of too much beauty, too much sensual pleasure. I am bouncing back and forth between the two like a kid in a candy shop. Beautiful reproductions and a solid interesting text!

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• Sales Rank: #13314908 in Books
• Published on: 2003
• Binding: Audio Cassette

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FACTOR ANALYSIS

Factor analysis is used to uncover the latent structure (dimensions) of a set of variables. It reduces attribute space from a larger number of variables to a smaller number of factors and as such is a "non-dependent" procedure (that is, it does not assume a dependent variable is specified). Illustrated with numerous how-to figures, output tables, and examples for SPSS, SAS, and Stata.

New in the 2013 edition: 50% additional coverage; now covers categorical (nonlinear) categorical principal components analysis as well as principal components and principal factor analysis for continuous variables; thorough restructuring for better readability; new coverage for Stata as well as SPSS and SAS; coverage of factor loading plots; expanded discussion of rotation methods; hyperlinking of FAQs to key words in text; numerous other updates.

FACTOR ANALYSIS
Table of Contents
Overview8
Data10
Key Concepts and Terms10
Exploratory factor analysis (EFA)10
Exploratory vs. confirmatory factor analysis (CFA)10
Factor Analytic Data Modes11
R-mode factor analysis11
Q-mode factor analysis11
Other rarer modes of factor analysis12
Types of factor extraction13
Principal components analysis (PCA)13
Principal factor analysis (PFA)14
PCA and PFA compared14
Other Extraction Methods16
Types of factor rotation17
Rotation methods17
No rotation18
Varimax rotation19
Quartimax rotation20
Equamax rotation21
Direct oblimin (oblique) rotation22
Promax rotation23
Other rotation methods24
Summary24
Factor analysis in SPSS24
Data setup24
The "Factor" dialog24
Descriptives and Options25
Extraction26
Rotation27
Factor Scores28
Statistical output in SPSS29
Factor loadings29
Plot of factor loadings (factor space plot)31
Factor, component, pattern, and structure matrices33
Communality34
Uniqueness36
Eigenvalues36
Extraction sums of squared loadings37
Trace37
Factor scores38
Bartlett scores39
Saving factor scores40
Criteria for number of factors to model40
Parallel analysis42
Other Criteria43
Using reproduced correlation residuals to validate the choice of number of factors43
Summary44
Factor analysis in SAS44
SAS interface44
SAS syntax45
Rotation methods in SAS47
Statistical output in SAS48
Factor loadings in SAS output48
SAS output for communalities48
SAS output for eigenvalues48
SAS scree plot output49
SAS factor loadings plots51
Factor analysis in Stata52
Stata interface52
Importing data into Stata53
Stata syntax55
Statistical output in Stata58
Stata output for eigenvalues58
Factor loadings in Stata output59
Stata output for communalities59
Stata scree plot output59
Stata loading plots60
Categorical principal components analysis (CATPCA)62
Overview62
SPSS categorical principal components analysis63
Data considerations63
CATPCA user interface in SPSS63
The “Optimal Scaling” dialog63
The main CATPCA dialog64
The “Discretize” button dialog66
The “Missing” button dialog67
The “Options” button dialog68
The “Output” button dialog70
The “Save” button dialog72
The “Object” button dialog72
The “Category” button dialog73
The “Loading” button dialog75
SPSS CATPCA statistical output75
The “Model Summary” table75
The “Component Loadings” table77
The “Component Loadings” plot79
The “Variance Accounted For” table80
The “Object Points Labeled by Casenumbers” plot81
The “Object Scores” table82
The “Biplot Component Loadings and Objects” plot83
The “Quantifications” table84
The “Category Points” plot85
The “Projected Centroids” table and plot87
SAS categorical principal components analysis89
Overview89
SAS syntax89
The PROC PRINQUAL procedure90
SAS PROC PRINQUAL output92
Principal components analysis of transformed data94
Stata categorical principal components analysis97
Overview97
Example98
The polychoric correlation matrix98
The “Principal component analysis” table99
The “Scoring Coefficients” table100
and 31 more pages of topics
Pagecount: 131

• Sales Rank: #198218 in eBooks
• Published on: 2013-01-19
• Released on: 2013-01-19
• Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
A disappointment
By Ian K.
I have been working on factor models for investment portfolios. I am always looking for references. The best reference I have found so far is Modeling Financial Time Series with S-Plus by Zivot and Wang, but this reference is getting a bit long in the tooth. For one thing, R has completely replaced S-Plus.

The start of Garson's Factor Analysis is well written and I purchased the book (or really, the technical version of a novella) on that basis. Unfortunately the book has a number of problems, at least for my purposes. Perhaps the strongest is that the book provides only a shallow coverage of factor analysis. After providing an overview of factor analysis, the book launches into how SPSS and SAS can be used for factor analysis. This discussion includes screen shots of the various dialogs. As an R user, this was not very useful.

A book that provided a deeper discussion of factor analysis would have been usable regardless of the statistical package that was being used. But this was not present here. I'm not looking for a book of proofs and lemmas, but this is a discussion of factor analysis largely (completely?) devoid of mathematics.

The book concentrates on the application of Principle Component Analysis (PCA) for factor models. But rather than describing how PCA can describe a model, it immediately launches into a discussion of how SPSS can be used.

Perhaps these books are the "missing manuals" for statistical analysis on SPSS. But for any one else these books are likely to be a disappointment. I am going to remove the book from the Kindle library since it is never going to be of any use to me.

2 of 3 people found the following review helpful.
Factor Analysis
By Jag
This book from the Blue book series is a very practical tool for the busy researcher needing to find quick and reliable answers. You have surely heard that tacit knowledge is not found in books, this is probably true but this book brings out exactly what is not covered in many mainstream stats books on EFA and CFA and what you would normally learn by having a close interaction with an experienced researcher. The FAQ section is a treasure of information you will not find easily!

0 of 0 people found the following review helpful.
Excellent
By Chitr Sitthi-amorn
Simple, right to the point, enough details, good guide to actual analysis are some to the key features. Recommend to statistical and research colleagues.

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[G918.Ebook] PDF Download Fablehaven: Grip of the Shadow Plague, by Brandon Mull

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In the third volume, the peril escalates as an unexplained darkness infects the creatures of Fablehaven.

• Sales Rank: #1055168 in Books
• Brand: Brand: Shadow Mountain
• Published on: 2008-04-08
• Formats: Audiobook, CD
• Original language: English
• Number of items: 11
• Dimensions: 1.09" h x 6.40" w x 5.54" l, .60 pounds
• Running time: 49200 seconds
• Binding: Audio CD

Features

• Used Book in Good Condition

Review
Fablehaven has been nominated for the Cybilis Award 2009. Now in the third year, the Cybils are an international series of book awards selected by a talented panel of children's and young adult book bloggers. The award seeks to find books that strike the balance between literary quality and kid appeal. Nominations were open to the public, and anyone could nominate a book published in the current year. --Cybilis.com

About the Author
Brandon Mull has worked as a comedian, a filing clerk, a patio installer, a movie promoter, a copywriter, and briefly as a chicken stacker. For a couple of years, he lived in the Atacama Desert of Northern Chile, where he learned Spanish and juggling. He currently lives in Utah in a happy little valley near the mouth of a canyon with his four children and dog named Buffy. Brandon is the #1 New York Times best-selling author of the Fablehaven, Beyonders, and Five Kingdoms series. Visit Brandon at BrandonMull.com.

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0 of 0 people found the following review helpful.
The Most Thrilling But Violent Installment So Far
By Jenn
***NOTE MY REVIEWS OFTEN CONTAIN SPOILERS***

Kendra and Seth are still at Fablehaven even though their parents continue to wonder if they'll come home before school starts. It's left to Grandma to make excuses to them of why the children need to stay in order to keep them safe. However, when out with Doren and Newel, his Satyr friends, Seth discovers two kingdoms of Dark Nixies -creatures that have never had a fallen state before. When the darkness and evil starts spreading to the other creatures of Fablehaven turning even fairies to creatures of darkness, it seems that no one, not even the humans on Fablehaven are safe from the unknown affliction. Meanwhile Kendra is recruited to the Knights of Dawn because of her talents as Fairy kind. She becomes their youngest member and though her grandparents don't dare decline the invitation because they don't want the Sphinx to know of their suspicions, they aren't happy with the idea of her being put into danger. Will becoming a Knight of Dawn get Kendra killed? Will Fablehaven fall to the darkness sweeping through its inhabitants?

The third installment of the Fablehaven series has me feeling a little divided. On one hand Mull takes Fablehaven in a different direction, finally writing a young adult/middle grade plot that I can sincerely say will appeal to the adult reader possibly as a favorite. On the other in doing this he loses much of the childlike innocence of the previous novel and like many popular young adult and middle grade fantasy series takes his books in a much darker direction. For the most part in the opening two novels bad things only happened to bad people and for a middle grade novel that's fine because we want for our children to believe that the good guy always wins and is somehow inherently protected. In this novel both sides face losses. The innocence of the characters is slowly stripped away in the pages of this novel. While I love that he has written a novel that would appeal to me as something I'd enjoy reading multiple times, I regret that loss of innocence that makes me as a parent wonder is my daughter really ready to lose some of the good guys in her stories? Arguably you could say Rowling did this on a regular basis and was one of the top young adult/middle grade writers of her time. However I could argue that her fans were more adult readers than children and I've yet to meet a single elementary school teacher (which I l classify as grades K-6) that says her students are at the reading level of Rowling's work. And it's not just the extensive vocabulary included in her work but the violence of it as well. Children are closer to teens when they're ready for Rowling. Before this novel though Fablehaven didn't have as much adult appeal I would safely say the amount of violence included was safe to hand over to the average eight or night year old reader without worry. This novel as a parent leaves the question is your child ready? I won't fault the language by any means. But know before handing this over for to your child who's gotten hooked on this series that you have a child ready to not see every good guy safe and smiling at the end of the novel. Of course they might see a lot of this in tv, but it's not the same in my opinion as experiencing it in a novel. Actors just aren't able to portray the inner monologue you get in a book or the feeling of being there inside the story. It's much easier for a writer to bring tears to a reader's eyes than an actor on a movie screen. Not saying this novel is quite to that point. It's not as close and heart wrenching as all the losses in Harry Potter, but it's bound to leave more innocent readers with questions about why all the good guys didn't survive the adventure. I won't say that it's not a middle grade novel - it is, but be sure your child is ready before handing them this novel.

With this book Mull succeeded in doing a couple of things he didn't accomplish in other novels for me as a reader. In the first novel I noted it was difficult to connect to the characters, in this one I felt like I had known them forever, I really experienced this adventure alongside them instead of from an outside perspective. In the second novel it took forever for me as a reader to be drawn into the tale even though it began with action in the beginning pages. This third novel brings more action and grips the reader from page one, or at least it gripped me as a reader from page one. I meant to go to bed hours ago, sleep didn't wouldn't come until I finished reading this book. The action is more intense, the pacing is faster, and the stakes are higher. To me this was the best Fablehaven novel yet, but that's reading it as an adult reader. Like I mentioned above I'm not sure if my daughter is ready yet for a novel like this one.

Like all the other novels this plot is well written, filled with detailed descriptions and plot surprises. However unlike the other novels you're drawn into the action from the very beginning, introduced to what will become Fablehaven's biggest threat within the first few pages and drawn back to the cliffhanger from the last book. Is the Sphinx at traitor? The action as stated above is more intense and the danger is higher. Fablehaven might really fall in this book and they have no one to help them but the people and creatures within Fablehaven which of course as in all the other novels falls to Seth and Kendra, mostly falling on Kendra's shoulders. Seth is awesome for adventures, for going all the places you shouldn't on Fablehaven, but it is Kendra in these novels who is the reluctant hero. She's not particularly outgoing or brave, but her desire to protect and save her family and the creatures she's come to love allows her to take risks and sacrifices normally against her better judgment in order to save the day. While Mull's plots flow in a logical order never bouncing around, what I love about his books is he's one of the few authors that really manages to surprise me. I mean yeah I can usually be certain opening the book that the leading children will conquer the evil in the end, that's how middle grade titles are supposed to be. But the journey, the challenges, the creatures in between I never know what's going to happen. Every plot twist comes as a surprise to me and I can't help but adore that about this writer. This book is gripping from page one and in excitement it far surpasses the other two novels.

The characters are definitely starting to act more their age and while the book does contain illustrations this time I wouldn't say that any of them are distracting like they were in the last novel. There are no pictures in this book where the preteen characters look like eight year olds thankfully. For the most part Kendra actually comes across as a real 14 almost fifteen year old in this novel, to the point that she's thinking about whether or not a boy likes here during a death threatening mission. Now that's a young teenage girl for you. Your world maybe crashing around you but you still can't stop wondering if the cute boy next to you likes you. For the first time reading these novels when faced with scenes through Kendra's eyes it really felt like I was looking through the eyes of a fourteen year old girl. The only thing I didn't like about how she was portrayed was that even though she did cry when losses happened, she seemed to move past it a lot faster than I would really expect her to. Kendra has always been portrayed throughout these books as a really sensitive girl. I would think no matter how close she was to someone or how little she knew them she would have grieved longer than is shown in this novel. I would definitely say that in this novel Kendra and Seth have become really fleshed out, full bodied characters with all the strengths and flaws of real people. The minor characters in the novel are starting to get a little more flesh on them as well, well except for Dale who is one of those characters that I've never really seen the point of. Warren who was an albino mute for the entire first book and most of the second is more fleshed out as a character than Dale who's been present since the beginning of the first novel. Like always the characters are likeable and memorable, but this time I can honestly say I feel they're well developed and realistic which I couldn't really say in the previous two novels.

It's a middle grade novel which will obviously find its audience with young readers but this title in the series is one I think will truly appeal to adult readers as well. However I can't help but wonder if Mull has alienated some of his younger readers in order to appeal to the adult audience too.

Overall I loved this book and I considered giving it a five star rating but the more I got to comparing it to the other novels and the innocence of those novels despite the dangers the children faced, the more I felt that this third novel was a whole new ball game and may not be appropriate for some of the readers the first two novels appealed to. Yes it is realistic that the good guys will take losses in a battle as well, but children don't know that and before this book I'd have recommended the series to a much younger reader than I would this current title. If his work had been this dark from the beginning I'd say this was a five star book, I really did love it. But the changes between this and the other two books made me feel unable to say the book is perfect because now it becomes a title that may be appropriate for some children, but isn't appropriate for all children. Regardless of my concerns I can honestly say that this book was a page turner from the very beginning and a journey most fantasy readers will not want to miss.

3 of 3 people found the following review helpful.
Best in the series so far
By Margaret Durbin
Now that I've read this (the third book in the series) I can see why everyone gave the first book five stars. Yes, the first book was poorly paced and the characters were somewhat aggravating BUT... if I hadn't read that book then I wouldn't be reading THIS book and that would have been a huge loss.

This is a GREAT book. Well paced from beginning to end, the characters are now people you truly care about, and the ending leaves you wanting more.

Kendra really grows up in this book. She moves past her school girl crush on Warren (can't wait to see how things turn out w/ Gavin) and begins to figure out who and what she wants to be and the rewards for courage and bravery.

Gavin is the best character introduced to date. Can't wait to see him more in future books.

Seth is growing up and starting to understand risk v. reward and stupidity v. courage. Just as Kendra is learning courage Seth is learning caution. GREAT dynamic. Plus, it's great to see Seth start to see some rewards and commendations for his bravery since he's learned to stop putting people in danger.

Grandpa is still sort of a dweeb, but Grandma is great - feisty and smart with common sense to boot. Vanessa is even more cunning than in the last book and you never know who you can trust and who you can't... and that goes for some of the main characters as well (I'm dying to see whether one of them turns traitor.)

Truly Mr. Mull is reaching his stride and this is a marvelous series.

For those who like the reviews to contain a few plot hints:

This book has two parallel stories - Kendra's mission to another refuge and Seth's battle against the plague with a nice tie out two thirds of the way through where the two attempts merge and succeed together. For once none of the trouble is caused by Seth and he saves the day ultimately though Kendra has to pull off the action.

0 of 0 people found the following review helpful.
A good series. Children and adults will enjoy.
By Suzy Duzy
Book one sat on the bookshelf for 4 or five years. Tried to get at least one of my 5 kids to read it. Finally got aggravated that I bought something that no one would read, and I read it myself. While reading, the youngest wanted to know what it was about, and started sneaking in to read whenever I put the book down. I liked the book and bought the rest of the series. I had to fight my way to the mailbox to get book 2 because by that time a second child started the series.

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