Thursday, 14 February 2013

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The Last Great Fight: The Extraordinary Tale of Two Men and How One Fight Changed Their Lives Forever, by Joe Layden

Meticulously researched, wonderfully written; the untold story of a legendary fight and the two warriors who would never be the same again

It is considered by many to be the biggest upset in the history of boxing: James "Buster" Douglas knocked out then-undefeated Heavyweight Champion Mike Tyson in the 10th round in 1990 when the dominating and intimidating Tyson was considered invincible.
THE LAST GREAT FIGHT takes readers not only behind the scenes of this epic battle, but inside the lives of two men, their ambitions, their dreams, the downfall of one and the rise of another.
Using his exclusive interviews with both Tyson and Douglas, family members, the referee, the cutmen, trainers and managers to the commentators and HBO staff covering the fight in Tokyo, Layden has crafted a human drama played out on a large stage. This is a compelling tale of shattered dreams and, ultimately, redemption.

  • Sales Rank: #886118 in eBooks
  • Published on: 2007-10-02
  • Released on: 2007-10-02
  • Format: Kindle eBook

From Booklist
*Starred Review* In 1990, heavyweight boxer Mike Tyson was considered a force of nature and a journalist's dream story. Rescued from a life of crime and extreme poverty by legendary trainer Cus D'Amato, he had crushed—not just beaten—virtually every opponent placed in front of him on the way to the Heavyweight Championship. He had energized boxing as no one since Muhammad Ali. James "Buster" Douglas, on the other hand, was a half step above journeyman status. He was raised in a stable, two-parent home and even had some college on his resume. His father was a respected second-tier fighter in his day and had encouraged—rather than pushed—his athletically gifted son into boxing. Layden, an award-winning author who covered professional boxing during Tyson's best years, re-creates the aura surrounding the February 11, 1990, bout in Tokyo—a fight that many consider the greatest upset in boxing history. He interviewed Tyson and Douglas, their trainers, corner men, family members, broadcasters, and knowledgeable journalists. Most interestingly, he also examines each fighter's life since Douglas' upset. Tyson, of course, has been in ever-accelerating descent, but Douglas has endured much, too. Thomas Hauser is the dean of American boxing writers, but Layden has researched and written the most compelling and moving book on the sweet science we've seen in years. Lukowsky, Wes

Review
"Layden has researched and written the most compelling and moving book on the sweet science we've seen in years." --Booklist (starred review)�"With rich detail and robust prose, Joe Layden's account of Tyson-Douglas doesn't merely re-create the most unthinkable upset in boxing annals. It takes you into the corners, the locker rooms, the minds of the two protagonists, producing revelations that arrive in combinations and a story that packs a heavyweight punch."�
-- Wayne Coffey, author of the New York Times bestseller THE BOYS OF WINTER��"The Mike Tyson-Buster Douglas fight resulted in the most spectacular upset in boxing history, yet it was an epic that has almost been forgotten.� In The Last Great Fight, Joe Layden restores the fight to its rightful place�in sports legend and fills in the spaces that other historians have missed.� This is the best boxing book in the last 25 years." --Allen Barra, sports columnist, Wall Street Journal, and author of The Last Coach: A Life of Paul "Bear" Bryant.�"Tell the truth. You missed the moment when Buster Douglas knocked out Mike Tyson for the heavyweight championship of the world. The fight was in Tokyo and Iron Mike was going to destroy this unknown fatso, whack him out, blah-blah...what did you know? So now you have a second chance. The all-time upset of boxing upsets is replayed here through the deft, sweet prose of Joe Layden; a ringside seat that shows not only the punches that were thrown but what was behind them. Don't miss it this time. The book is better than the fight and the fight was a wonder."
�-- Leigh Montville, New York Times bestselling author of�THE BIG BAM: THE LIFE AND TIMES OF BABE RUTH�and TED WILLIAMS: THE BIOGRAPHY OF AN AMERICAN HERO

About the Author
JOE LAYDEN is a best-selling author and award-winning journalist who regularly covered professional boxing during the height of Mike Tyson's championship reign. He lives in upstate New York.�

Most helpful customer reviews

2 of 2 people found the following review helpful.
Very Interesting. This Book is a Knockout Winner!
By Dr. Marc Axelrod
This book is a discussion of how the very different lives of Mike Tyson and Buster Douglas were forever changed by their history making bout in Tokyo. Joe Layden points out that Tyson was considered almost ubeatable at this point in his career, while Douglas had a reputation for being a less than properly motivated fighter who quit when the going got tough.

Instead, both guys fought courageously. Douglas dominated almost every moment of the fight, except for the closing seconds of the 8th round when Tyson dug down deep and floored Buster with an uppercut.

But Buster came back strong in round nine, and then he finished Tyson in the 10th round with a deadly payback uppercut, followed by four concussive blows. The end result was a dazed and battered Tyson, groping around on the canvas for his mouthpiece. Douglas' stunning victory is still considered by many today as the greatest upset in heavyweight championship history, even more of an upset than Braddock decisioning Max baer or Cassius Clay stopping Sonny Liston.

Layden goes on show how Douglas' managerial team was torn apart with dissension, and how Buster lost the itch for fighting. His weight ballooned up to 300 pounds. He lost some of the weight, but his flabby, weak and unprepared for his first title defense against Evander Holyfield. Evander would go on to knock Douglas out in the third round. Douglas would spend years and years fighting the battle of the bulge, putting on so much weight that he nearly died at one point while in a diabetic coma. Buster now raises his kids and enjoys retirement in the central Ohio area. he also has a home down in Marco Island, Florida. He is financially well off and looking for ways to help others.

Tyson, on the other hand, was effectively finished as a prodigy fighter. He would go on to have some decent moments in the ring, but his life would become characterized by an increasing number of brushes with the law. Even his ring performances would become memorable for their controversial moments, such as the ear biting incident in the second Holyfield fight, the punching out of the referee in the Savarese fight, and the leg biting incident in the prefight melee with Lennox Lewis and his entourage.

But Layden goes a step further by contending that not only were Douglas and Tyson in decline after their fight, but that Boxing was in decline after their fight. No one in the heavyweight ranks came forward who had the style and charisma (and circus atmosphere) of Tyson.

While I feel that it is a bit of an overstatement to tie the decline of boxing's popularity with the decline of Tyson himself, Layden makes a very interesting case and his book cannot be ignored.It is one of the best boxing books that I have read, and I highly recommend it.

0 of 0 people found the following review helpful.
One of the Best Sports Books Ever Written
By Adam J. Loewy
'The Last Great Fight' will go down as one of the best sports books ever written and I personally believe will be one of the (if not THE) defining books on Mike Tyson. The genius of this book lies in the ability of Joe Layden to construct a narrative structure around one moment in history - the Tyson-Douglas Fight on February 11, 1990 - and use this fight to explain the rise and falls of two fighters, and the sport of the pro boxing as a whole.

The Tyson-Douglas Fight is one of the most underappreciated moments of modern sports history, primarily because (a) it occured overseas right before the advent of the Internet and 24 hours News (b) Mike Tyson has now become more of a punch line than what he was in 1990 - arguably the most feared and greatest fighter in boxing history. Objectively speaking, Douglas over Tyson represents the greatest upset in the entire history of modern sports. In light of that, this is a book that truly had to be written.

Layden does a great job of analzying the fight/fighters in a Before/During/After narrative structure that is extremely detailed, fast-pasted and filled with fascinating ancedotes. I could not put the book down (read it in one day) and found it equally fascinating, depressing, and inspirational. There are many life lessons one to can learn from this story and for anyone interested in sports (and what they mean in a larger life context), this book is a must-read. Tip of the hat to Joe Layden - great job.

0 of 0 people found the following review helpful.
Superb Character Studies Of Two Men
By Craig Connell
This was a pleasant surprise; a very interesting portrait of two boxers with the emphasis on Buster Douglas. He's a pretty likeable guy and an interesting study. So, too, is Mike Tyson (although not quite as likeable!).

The author does a fine job of detailing Buster's life and his memorable upset bout against "Iron Mike." Few details are spared, as the author, Joseph Leyden, really did his homework. Frankly, I never knew Douglas was such an interesting guy.

The people surrounding both Douglas and Tyson also are fascinating. Especially interesting is the insight on Don King. It all makes for a very good read.

It's a cliche, but you don't have to be boxing fan to enjoy this book.

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

  • Sales Rank: #4477919 in Books
  • Published on: 2011-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .99" w x 7.44" l, 1.93 pounds
  • Binding: Paperback
  • 494 pages

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0 of 0 people found the following review helpful.
It's a great treatise, if you're part nerd like me
By Frank A. Stephenson
Timoshenko is a legend in the vibration engineering world, and now I understand why. There are some things in his book that are over my head, but I am able to grasp the concept nonetheless. His insight, combined with the straightforward way he presents the material, are truly a benefit for me, my career, and my peace of mind. It's a great treatise, if you're part nerd like me.

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Wednesday, 6 February 2013

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  • Sales Rank: #1403062 in Books
  • Published on: 2009-12-31
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From Cop to Convict: The Truth Behind the Andy Shock Love Child Case, by Harold Smith

The Corruption in Faulkner County Sheriff’s Department is Shocking.

Very few people want to accept that corruption exists in their home town sheriff’s department. In the minds of most law abiding folks, corruption is far off in some other sheriff’s department. Very few people want to believe that someone they know and see on a regular basis is corrupt.

The biggest case of corruption I knew about and still know about is a cold case murder of an innocent girl from Greenbrier, Arkansas. Her name is Pamela Felkins of Greenbrier, Arkansas is Greenbrier is the second largest city in Faulkner County, Arkansas. I live there.

Back in February of 1990, Pamela Faye Felkins, a mother in her 30’s with a husband and children, was working the closing shift at a video rental store in Greenbrier. She was abducted, incessantly tortured, brutally raped and finally after 3 hours killed by numerous blows to her head with a tire iron and a knife stick. Her body was dumped in a roadside landfill.

The case was worked well by law enforcement. Evidence was recovered and taken to the Faulkner County Sheriff’s Office by the FBI. The evidence was then supposed to be transferred to the Arkansas Crime Lab in Little Rock. It never arrived at the crime lab.

Members of the Pamela Faye Felkins task force kept pestering the Faulkner County Sheriff’s Office about sending the evidence, which consisted of a bloody mattress, carpet fibers and other items were from the location of the torture and rape scene. The kill scene was along the roadside next to where her body was dumped. It is a heart wrenching story. It make grown men I know cry, tough old cops.

The case was solved and presented to a certain prosecutor, who refused to sign an arrest warrant for the one who was known to be one of the two perpetrators. The criminal investigators, who presented the case to the prosecutor, thought at the time, that the Arkansas Crime Lab already had the remaining evidence. It did not and to this day, still, does not possess that evidence.

Good cops have soft hearts; bad ones have hearts of stone.

  • Sales Rank: #1169691 in eBooks
  • Published on: 2015-03-10
  • Released on: 2015-03-10
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
Incite
By Mary Hiser
Very interesting to get incite from retired cop, who has been on both sides of the law. Owning up to your own mistakes in the process is a good life lesson learned.

2 of 3 people found the following review helpful.
I was a little disappointed that the book didn't go deeper into the corruption
By Citizen X
I found the book to be very honest and open. I have no doubt that something fishy is going on within the seat of that county government; I was a little disappointed that the book didn't go deeper into the corruption, but seen the author is writing a second book that will cover that. I'm looking forward to buying and reading that one as well. This is a funny story, and you have to laugh about the pay back prank the author pulled.

1 of 2 people found the following review helpful.
So, So
By Jason
I thought this was going to give me insight on the corruption going on in the county, instead it was about your days locked up. You should have titled it "a dummies guide to serving 30 days in the pen." But I did manage to read the whole thing.

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Saturday, 26 January 2013

[E636.Ebook] Get Free Ebook Alias Grace: A Novel, by Margaret Atwood

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Alias Grace: A Novel, by Margaret Atwood

Alias Grace: A Novel, by Margaret Atwood



Alias Grace: A Novel, by Margaret Atwood

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Alias Grace: A Novel, by Margaret Atwood

In Alias Grace, bestselling author Margaret Atwood has written her most captivating, disturbing, and ultimately satisfying work since The Handmaid's Tale. She takes us back in time and into the life of one of the most enigmatic and notorious women of the nineteenth century.

Grace Marks has been convicted for her involvement in the vicious murders of her employer, Thomas Kinnear, and Nancy Montgomery, his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders.

Dr. Simon Jordan, an up-and-coming expert in the burgeoning field of mental illness, is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories? Is Grace a female fiend? A bloodthirsty femme fatale? Or is she the victim of circumstances?

  • Sales Rank: #19953 in Books
  • Color: Brown
  • Brand: Anchor
  • Published on: 1997-10-13
  • Released on: 1997-10-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.98" h x 1.12" w x 5.11" l, .86 pounds
  • Binding: Paperback
  • 468 pages
Features
  • Great product!

Amazon.com Review
In 1843, a 16-year-old Canadian housemaid named Grace Marks was tried for the murder of her employer and his mistress. The sensationalistic trial made headlines throughout the world, and the jury delivered a guilty verdict. Yet opinion remained fiercely divided about Marks--was she a spurned woman who had taken out her rage on two innocent victims, or was she an unwilling victim herself, caught up in a crime she was too young to understand? Such doubts persuaded the judges to commute her sentence to life imprisonment, and Marks spent the next 30 years in an assortment of jails and asylums, where she was often exhibited as a star attraction. In Alias Grace, Margaret Atwood reconstructs Marks's story in fictional form. Her portraits of 19th-century prison and asylum life are chilling in their detail. The author also introduces Dr. Simon Jordan, who listens to the prisoner's tale with a mixture of sympathy and disbelief. In his effort to uncover the truth, Jordan uses the tools of the then rudimentary science of psychology. But the last word belongs to the book's narrator--Grace herself.

From Publishers Weekly
Intrigued by contemporary reports of a sensational murder trial in 1843 Canada, Atwood has drawn a compelling portrait of what might have been. Her protagonist, the real life Grace Marks, is an enigma. Convicted at age 16 of the murder of her employer, Thomas Kinnear, and his housekeeper and lover, Nancy Montgomery, Grace escaped the gallows when her sentence was commuted to life in prison, but she also spent some years in an insane asylum after an emotional breakdown. Because she gave three different accounts of the killings, and because she was accused of being the sole perpetrator by the man who was hanged for the crime, Grace's life and mind are fertile territory for Atwood. Adapting her style to the period she describes, she has written a typical Victorian novel, leisurely in exposition, copiously detailed and crowded with subtly drawn characters who speak the embroidered, pietistic language of the time. She has created a probing psychological portrait of a working-class woman victimized by society because of her poverty, and victimized again by the judicial and prison systems. The narrative gains texture and tension from the dynamic between Grace and an interlocutor, earnest young bachelor Dr. Simon Jordan, who is investigating the causes of lunacy with plans to establish his own, more enlightened institution. Jordan is hoping to awaken Grace's suppressed memories of the day of the murder, but Grace, though uneducated, is far wilier than Jordan, whom she tells only what she wishes to confess. He, on the other hand, is handicapped by his compassion, which makes him the victim of the wiles of other women, too?his passionate, desperate landlady, and the virginal but predatory daughter of the prison governor. These encounters give Atwood the chance to describe the war between the sexes with her usual wit. Although the narrative holds several big surprises, the central question?Was Grace dupe and victim or seductress and instigator of the bloody crime??is left tantalizingly ambiguous. Major ad/promo; author tour.
Copyright 1996 Reed Business Information, Inc.

From School Library Journal
YA. In 1843, at the age of 16, Grace Marks, a recent Irish emigre to Canada, was sentenced to life in prison as an accomplice in the murder of her employer, Thomas Kinnear, and his housekeeper, Nancy Montgomery. The teen confessed to the crime early and later claimed no memory of the events. She was arrested in upstate New York, having run from her employer's house with the handyman, who was hanged for the crimes. Atwood became interested in the case, a true story, and added the involvement of Dr. Simon Jordan. This novel is set 16 years after the crime took place when Jordan, who is interested in the fledgling science of psychology, is recruited by a local Methodist minister intent on proving Grace's innocence to examine her and determine the "truth." Readers are made privy to innumerable details of daily life in that time and place. The concept is intriguing, and while YAs never actually learn the truth, they certainly become involved in Grace's history as well as Simon's bumbling attempts at independence from a domineering mother. Atwood may be playing a game with her readers, but it is one in which many will willingly participate for the fun and mystery while learning about life in colonial Canada. While long, this story reads quickly and all of the characters are compelling, different, and well developed.?Susan H. Woodcock, Kings Park Library, Burke, VA
Copyright 1997 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Though I'm not finished, I feel it is an ...
By Daniel Goode
Though I'm not finished, I feel it is an exercise in Ms. Atwood's exhibiting her knowledge of 19th Century Canada. Feels studied, and the using the mouthpiece of an uneducated girl to say very sophisticated things in somewhat dumb-downed language is not convincing.

0 of 0 people found the following review helpful.
Margaret Atwood does a fantastic job. Normally she writes science fiction
By marybeth nielsen
Once again, Margaret Atwood does a fantastic job. Normally she writes science fiction, however with this historical novel, she proves herself to be a superb writer of history as well. I loved this book!

0 of 0 people found the following review helpful.
Great bargain!
By A. Cerrone
I really liked that I could get a used book in good condition for a very reasonable price. This is perfect for avid readers who don't want to spend a lot of money on new books.

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Thursday, 24 January 2013

[K298.Ebook] Download Ebook The Story of a New Name: Neapolitan Novels, Book Two, by Elena Ferrante

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The Story of a New Name: Neapolitan Novels, Book Two, by Elena Ferrante

The second book, following last year’s My Brilliant Friend, featuring the two friends Lila and Elena. The two protagonists are now in their twenties. Marriage appears to have imprisoned Lila. Meanwhile, Elena continues her journey of self-discovery. The two young women share a complex and evolving bond that brings them close at times, and drives them apart at others. Each vacillates between hurtful disregard and profound love for the other. With this complicated and meticulously portrayed friendship at the center of their emotional lives, the two girls mature into women, paying the cruel price that this passage exacts.

  • Sales Rank: #1352 in eBooks
  • Published on: 2013-09-03
  • Released on: 2013-09-03
  • Format: Kindle eBook

From Publishers Weekly
The second in a trilogy, book two rejoins narrator Elena Greco and her "brilliant friend" Lina Cerullo as they leave behind their claustrophobic Italian girlhood and enter the tumultuous world of young womanhood with all its accompanying love, loss, and confusion. Against the backdrop of l960s/70s Naples, the previously inseparable girls embark on diverse paths. At 16, Lila has married the prosperous local grocer, Stefano Carraci, only to discover at their wedding reception that he has already betrayed her and damned their union. Conversely Elena has chosen education, a less traditional route to free her from the stultifying village life. Lina asks Elena to hide a box of notebooks from her husband. Instead, she dumps them in the river but not without first reading them. Ferrante masterfully combines Elena's recollections of events with Lila's point of view as documented in her notebooks to drive the narrative. The women's fraught relationship and shifting fortunes are the life forces of this poignant book.

From Booklist
*Starred Review* Ferrante continues the beautiful tale she started in My Brilliant Friend (2012) with this brilliant second book of a promised trilogy. At 16, best friends Elena and Lila are weary of their impoverished neighborhood and its crippling traditions, but while Lila seeks to alter these circumstances through an advantageous marriage, Elena strives to leave it behind by pursuing her education. When Lila’s marriage fails to help her realize her goals, she becomes increasingly spiteful, and Elena, busy with an acceptance to college, grows critical of her progressively unpredictable friend. Once reliant on one another, the girls now find themselves occupying very different spheres in the rapidly changing landscape of 1970s Naples. As circumstances alternately draw them close and push them apart, they face difficult changes in the friendship that has always been their strongest source of love and support. Ferrante’s writing is captivating and insightful. She delves deeply into the character of the girls’ friendship, ushering them into womanhood with an honesty that is acutely personal. Her keen grasp of emotional nuances and minutiae evokes the work of D. H. Lawrence, and the richness of her storytelling is likely to please fans of Sara Gruen and Silvia Avallone. --Cortney Ophoff

Review
Praise for Elena Ferrante and�The Neapolitan Novels

The United States

“Ferrante’s novels are intensely, violently personal, and because of this they seem to dangle bristling key chains of confession before the unsuspecting reader.” —James Wood,�The New Yorker

“One of the more nuanced portraits of feminine friendship in recent memory.” —Megan O’Grady,�Vogue

“Amazing!�My Brilliant Friend�took my breath away. If I were president of the world I would make everyone read this book. It is so honest and right and opens up heart to so much. Reading Ferrante reminded me of that child-like excitement when you can’t look up from the page, when your eyes seem to be popping from your head, when you think: I didn’t know books could do this!” —Elizabeth Strout,�author of�Olive Kitteridge

“I like the Italian writer, Elena Ferrante, a lot. I've been reading all her work and all about her.” —�John Waters,�actor and director

“Elena Ferrante may be the best contemporary novelist you’ve never heard of”—�The Economist

“Ferrante’s freshness has nothing to do with fashion…it is imbued with the most haunting music of all, the echoes of literary history.”�—The New York Times Book Review

“I am such a fan of Ferrante’s work, and have been for quite a while.” —Jennifer Gilmore,�author of�The Mothers

“The women’s fraught relationship and shifting fortunes are the life forces of the poignant book” —�Publisher’s Weekly

“When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.”—Molly Fischer,�The New Yorker

“[Ferrante’s Neapolitan Novels] don’t merely offer a teeming vision of working-class Naples, with its cobblers and professors, communists and mobbed-up businessmen, womanizing poets and downtrodden wives; they present one of modern fiction’s richest portraits of a friendship.”�—John Powers, Fresh Air,�NPR

“Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk . . . In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now — one we need, one told brilliantly, by a woman.”—Roxana Robinson, The New York Times Book Review

“An intoxicatingly furious portrait of enmeshed friends Lila and Elena, Bright and passionate girls from a raucous neighborhood in world-class Naples. Ferrante writes with such aggression �and unnerving psychological insight about the messy complexity of female friendship that the real world can drop away when you’re reading her.”—Entertainment Weekly

“Ferrante seasons the prose with provocative perceptions not unlike the way Proust did.”�—Shelf Awareness

“It would be difficult to find a deeper portrait of women’s friendship than the one in Ferrante’s Neapolitan novels, which unfold from the fifties to the twenty-first century to tell a single story with the possessive force of an origin myth.”—Megan O’Grady,�Vogue�

“Ferrante’s writing is so unencumbered, so natural, and yet so lovely, brazen, and flush. The constancy of detail and the pacing that zips and skips then slows to a real-time crawl have an almost psychic effect, bringing you deeply into synchronicity with the discomforts and urgency of the characters’ emotions. Ferrante is unlike other writers—not because she’s innovative, but rather because she’s unselfconscious and brutally, diligently honest.”—Minna Proctor,�Bookforum

“Ferrante can do a woman’s interior dialogue like no one else, with a ferocity that is shockingly honest, unnervingly blunt.”—Booklist

“The truest evocation of a complex and lifelong friendship between women I’ve ever read.”�—Emily Gould,�author of�Friendship

“Elena Ferrante is the author of several remarkable, lucid, austerely honest novels . . . My Brilliant Friend is a large, captivating, amiably peopled bildungsroman.”—James Wood,�The New Yorker

“Compelling, visceral and immediate . . . a riveting examination of power . . . The Neapolitan novels are a tour de force.”—Jennifer Gilmore,�The Los Angeles Times

“Those Who Leave and Those Who Stay�surpasses the rapturous storytelling of the previous titles in the Neapolitan Novels.”—Publishers Weekly�(starred review)

“Ferrante’s voice feels necessary. She is the Italian Alice Munro.”—Mona Simpson,author of�Casebook�and�Anywhere But Here

“Elena Ferrante will blow you away.”—Alice Sebold,�author of�The Lovely Bones

“The Days of Abandonment�is a powerful, heartrending novel.”—Jhumpa Lahiri, Pulitzer-prize winning author of�The Lowland�

“The Neapolitan novel cycle is an unconditional masterpiece . . . I read all the books in a state of immersion; I was totally enthralled. There was nothing else I wanted to do except follow the lives of Lila and Len� to the end.”—Jhumpa Lahiri, Pulitzer-prize�winning author of�The Lowland

“Reading Ferrante reminded me of that child-like excitement when you can’t look up from the page, when your eyes seem to be popping from your head, when you think: I didn’t know books could do this!”—Elizabeth Strout, Pulitzer-prize winning author of�The Burgess Boys

“Elena Ferrante: the best angry woman writer ever!”—John Waters, director

“The feverish speculation about the identity of Elena Ferrante betrays an understandable failure of imagination: it seems impossible that right now somewhere someone sits in a room and draws up these books. Palatial and heartbreaking beyond measure, the Neapolitan novels seem less written than they do revealed. One simply surrenders. When the final volume appears—may that day never come!—they’re bound to be acknowledged as one of the most powerful works of art, in any medium, of our age.”—Gideon Lewis-Kraus, author of�A Sense of Direction

“Ferrante tackles girlhood and friendship with amazing force.”—Gwyneth Paltrow, actor

“Elena Ferrante’s The Story of a New Name. Book two in her Naples trilogy. Two words: Read it.”—Ann Hood, writer (from Twitter)

“Ferrante continues to imbue this growing saga with great magic.”—Booklist(starred review)

“One of Italy’s best contemporary novelists.”?—The�Seattle Times

“Ferrante’s emotional and carnal candor are so potent.”—Janet Maslin,�The New York Times

“Elena Ferrante’s gutsy and compulsively readable new novel, the first of a quartet, is a terrific entry point for Americans unfamiliar with the famously reclusive writer, whose go-for-broke tales of women’s shadow selves—those ambivalent mothers and seething divorc�es too complex or unseemly for polite society (and most literary fiction, for that matter)—shimmer with Balzacian human detail and subtle psychological suspense . . . The Neapolitan novels offer one of the more nuanced portraits of feminine friendship in recent memory—from the make-up and break-up quarrels of young girls to the way in which we carefully define ourselves against each other as teens—Ferrante wisely balances her memoir-like emotional authenticity with a wry sociological understanding of a society on the verge of dramatic change.”�—Megan O’Grady,�Vogue

“My Brilliant Friend is a sweeping family-centered epic that encompasses issues of loyalty, love, and a transforming Europe. This gorgeous novel should bring a host of new readers to one of Italy’s most acclaimed authors.”—The�Barnes and Noble Review

“Ferrante draws an indelible picture of the city’s mean streets and the poverty, violence and sameness of lives lived in the same place forever . . . She is a fierce writer.”—Shelf Awareness

“Ferrante transforms the love, separation and reunion of two poor urban girls into the general tragedy of their city.”––The New York Times

“Beautifully translated by Ann Goldstein . . . Ferrante writes with a ferocious, intimate urgency that is a celebration of anger. Ferrante is terribly good with anger, a very specific sort of wrath harbored by women, who are so often not allowed to give voice to it. We are angry, a lot of the time, at the position we’re in—whether it’s as wife, daughter, mother, friend—and I can think of no other woman writing who is so swift and gorgeous in this rage, so bracingly fearless in mining�fury.”—Susanna Sonnenberg, The�San Francisco Chronicle

“Everyone should read anything with Ferrante’s name on it.”—The Boston Globe

“The through-line in all of Ferrante’s investigations, for me, is nothing less than one long, mind-and-heart-shredding howl for the history of women (not only Neapolitan women), and its implicit j’accuse . . . Ferrante’s effect, critics agree, is inarguable. ‘Intensely, violently personal’ and ‘brutal directness, familial torment’ is how James Wood ventures to categorize her—descriptions that seem mild after you’ve encountered the work.”�—Joan Frank,�The�San Francisco Chronicle

“Lila, mercurial, unsparing, and, at the end of this first episode in a planned trilogy from Ferrante, seemingly capable of starting a full-scale neighborhood war, is a memorable character.”—Publishers Weekly

“An engrossing, wildly original contemporary epic about the demonic power of human (and particularly female) creativity checked by the forces of history and society.”�—The Los Angeles Review of Books

“Ferrante’s own writing has no limits, is willing to take every thought forward to its most radical conclusion and backwards to its most radical birthing.”�—The New Yorker


The United Kingdom

“The Story of a New Name, like its predecessor, is fiction of the very highest order.”—Independent on Sunday

“My Brilliant Friend, translated by Ann Goldstein, is stunning: an intense, forensic exploration of the friendship between Lila and the story’s narrator, Elena. Ferrante’s evocation of the working-class district of Naples where Elena and Lila first meet as two wiry eight-year-olds is cinematic in the density of its detail.”—The Times Literary Supplement

“This is a story about friendship as a mass of roiling currents—love, envy, pity, spite, dependency and Schadenfreude coiling around one another, tricky to untangle.”—Intelligent Life

“Elena Ferrante may be the best contemporary novelist you have never heard of. The Italian author has written six lavishly praised novels. But she writes under a pseudonym and will not offer herself for public consumption. Her characters likewise defy convention . . . Her prose is crystal, and her storytelling both visceral and compelling.”—The Economist

Ferrante is an expert above all at the rhythm of plotting: certain feuds and oppositions are kept simmering and in abeyance for years, so that a particular confrontation – a particular scene – can be many hundreds of pages in coming, but when it arrives seems at once shocking and inevitable.”—The Independent


Italy

“Those Who Leave and Those Who Stay evokes the vital flux of a heartbeat, of blood flowing through our veins.”––La Repubblica

“We don’t know who she is, but it doesn’t matter. Ferrante’s books are enthralling self-contained monoliths that do not seek friendship but demand silent, fervid admiration from her passionate readers . . . The thing most real in these novels is the intense, almost osmotic relationship that unites Elena and Lila, the two girls from a neighborhood in Naples who are the peerless protagonists of the Neapolitan novels.”—Famiglia Cristiana

“Today it is near impossible to find writers capable of bringing smells, tastes, feelings, and contradictory passions to their pages. Elena Ferrante, alone, seems able to do it. There is no writer better suited to composing the great Italian novel of her generation, her country, and her time than she.”—Il Manifesto

“Elena Ferrante is a very great novelist . . . In a world often held prisoner to minimalism, her writing is extremely powerful, earthy, and audacious.”—Francesca Marciano, author of�The Other Language

“Regardless of who is behind the name Elena Ferrante, the mysterious pseudonym used by the author of the Neapolitan novels, two things are certain: she is a woman and she knows how to describe Naples like nobody else. She does so with a style that recalls an enchanted spider web with its expressive power and the wizardry with which it creates an entire world.”�—Huffington Post�(Italy)

“A marvel that is without limits and beyond genre.”—Il Salvagente

“Elena Ferrante is proving that literature can cure our present ills; it can cure the spirit by operating as an antidote to the nervous attempts we make to see ourselves reflected in the present-day of a country that is increasingly repellent.”—Il Mattino

“My Brilliant Friend flows from the soul like an eruption from Mount Vesuvio.”—La Repubblica


Australia

“No one has a voice quite like Ferrante’s. Her gritty, ruthlessly frank novels roar off the page with a barbed fury, like an attack that is also a defense . . . Ferrante’s fictions are fierce, unsentimental glimpses at the way a woman is constantly under threat, her identity submerged in marriage, eclipsed by motherhood, mythologised by desire. Imagine if Jane Austen got angry and you’ll have some idea of how explosive these works are.”—John Freeman,�The Australian

“One of the most astounding—and mysterious—contemporary Italian novelists available in translation, Elena Ferrante unfolds the tumultuous inner lives of women in her thrillingly menacing stories of lost love, negligent mothers and unfulfilled desires.”—The Age

“Ferrante bewitches with her tiny, intricately drawn world . . . My Brilliant Friend journeys fearlessly into some of that murkier psychological territory where questions of individual identity are inextricable from circumstance and the ever-changing identities of others.”�—The Melbourne Review

“The Neapolitan novels move far from contrivance, logic or respectability to ask uncomfortable questions about how we live, how we love, how we singe an existence in a deeply flawed world that expects pretty acquiescence from its women. In all their beauty, their ugliness, their devotion and deceit, these girls enchant and repulse, like life, like our very selves.”�—The�Sydney Morning Herald

“The best thing I’ve read this year, far and away, would be Elena Ferrante…I just think she puts most other writing at the moment in the shade. She’s marvelous. I like her so much I’m now doing something I only do when I really love the writer: I’m only allowing myself two pages a day.”�—Richard Flanagan, author of Book prize finalist,�The Narrow Road to the Deep North


Spain

“Elena Ferrante’s female characters are genuine works of art . . . It is clear that her novel is the child of Italian neorealism and an abiding fascination with scene.”—El Pais

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43 of 46 people found the following review helpful.
ANOTHER TRIUMPH FOR ELENA FERRANTE
By ann kern
I turned off the phone, locked the door - two days of intense bliss. THE STORY OF A NEW NAME is part two of Ferrante's masterful trilogy and it DOES NOT DISAPPOINT! The writing is brilliantly lyrical and relentlessly candid, the focus is intensely personal, but the sweep of the story is vast. We track Lina and Elena, now beyond childhood, into young womanhood -- lovers, husbands, children, accomplishments and tragedy as they discover sex and romantic love. In the vein of Garcia Marquez and Bellow, the intimate stories refract into detailed murals of a society, a nation. I can't think of a writer working today more adept at turning a story with shock, at making the reader gasp.

Great, great, great. And the release date for part three is WHEN??????

42 of 46 people found the following review helpful.
"Is it possible that our parents never die, that every child inevitably conceals them in himself?"
By Mary Whipple
The Story of a New Name (which is called, simply, My Brilliant Friend, Volume II, in Italy), continues the epic saga author Elena Ferrante began in 2012 with the publication of My Brilliant Friend, set in postwar Naples. In The Story of a New Name, she continues the lives of these same characters as they move into the 1960s. Over fifty individual characters from nine families appear in the novel, making the "Index of Characters and Notes on the Events of Volume I," at the beginning of the book, not just helpful, but necessary.

Elena Greco and Lila Cerullo, who met as children and rivals (and sometimes enemies) in the first volume, epitomize the changes occurring in Naples in the aftermath of World War II, with education being the catalyst for many of these changes. Lila, however, decides as a young teen to end her schooling and help with her father's business, while Elena continues. Passionate and temperamental, Lila constantly alienates those around her, and, with her eventual marriage, she has the financial resources to buy what she wants, whenever she wants, and the ability to use her position for personal payback for old grudges. Her husband has allied himself financially with the Solara family, camorrist criminals who are far more organized than Stefano's father was, making some of her own activities risky for her husband. Her only real friend is Elena, but that relationship is complicated by Elena's own obligations regarding school, and, more importantly, by the fact that Lila has no idea what it takes to be a real friend.

Elena escapes most of the tumult that Lila leaves in her wake when she departs from Naples for more schooling. Her own numerous love interests constantly compete for time with her academic commitments, and when she is at home in Naples, she wearies of Lila's imperious demands. Conditioned by her own insecurities and her academic challenges, Elena is unable to relax and come to know herself as a person independent of her culture, though she recognizes that "class" and her ability to find new opportunities outside Naples are all connected to her education. As she faces her uncertain future, she becomes a fascinating study. Perhaps her new opportunities in the wider world will become the focus of the final volume.

With more than eight hundred pages in the first two volumes, this trilogy is truly epic in length, and in its depiction of Naples in the aftermath of war, primarily in My Brilliant Friend, it adds epic themes and ideas. In this second novel, however, the initial interest in these repeating characters from postwar Naples may begin to wane for some readers as the novel focuses more on the minutiae of the women's daily lives - small details and not grand epic themes - especially concerning their turbulent, often violent, love lives. The tears and scenes of recriminations, which we see wasted on the novel's men for whom the "rules" of behavior do not apply, may become wearisome for some readers, and the novel may begin to feel claustrophobic, more romantic than epic in its focus.

18 of 18 people found the following review helpful.
A great book that gives a compassionate, sometimes enraged, voice to the concerns of young women
By nina lalumia
I loved the first book, My Brilliant Friend, and didn't believe it could get better, but it does!
The drama of the two teen-age girls is more painful, more heartbreaking, and perhaps hard for some to take.
But their strength and beauty shines through, and we get to learn more about the history of post WWII Italy.
Some of this may be difficult to follow for those who are unfamiliar with Italian political and intellectual life.
But if you've read some Gramsci, you'll eat it up. It also deals with issues that are virtually universal among young women growing up all over the world. The book deals with frankly and insightfully with the challenges that teenage girls face as they grow into women, sexual, intellectual and political. It's feminist writing that doesn't wave any banners or slogans or propose any easy answers; it presents us face to face with the real challenges. Finally, I think Lila is one of the greatest heroines I have ever encountered, I love her every step of the way. It's all so personal and heart-felt, it's hard not to believe that much of it is based on the anonymous writer's own life. After all, the narrator is named Elena, and becomes a writer. But don't let the hype over the author's identity distract you: read these wonderful books for their own merits.

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Why is Your Country at War and What Happens to You After the War and Related SubjectsFrom Charles A. Lindbergh/National Capital Press

  • Published on: 1917-01-01
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