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Hard-Boiled Wonderland and the End of the World: A Novel (Vintage International), by Haruki Murakami

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In this hyperkinetic and relentlessly inventive novel, Japan’s most popular (and controversial) fiction writer hurtles into the consciousness of the West. Hard-Boiled Wonderland and the End of the World draws readers into a narrative particle accelerator in which a split-brained data processor, a deranged scientist, his shockingly undemure granddaughter, Lauren Bacall, Bob Dylan, and various thugs, librarians, and subterranean monsters collide to dazzling effect. What emerges is simultaneously cooler than zero and unaffectedly affecting, a hilariously funny and deeply serious meditation on the nature and uses of the mind.
- Sales Rank: #11371 in Books
- Published on: 1993-03-02
- Released on: 1993-03-02
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .90" w x 5.20" l, .66 pounds
- Binding: Paperback
- 416 pages
From Publishers Weekly
Murakami's lightning prose more than sustains the elaborate plot of this thriller, set in a Tokyo of the near future.
Copyright 1993 Reed Business Information, Inc.
From Library Journal
The last surviving victim of an experiment that implanted the subjects' heads with electrodes that decipher coded messages is the unnamed narrator of this excellent book by Murakami, one of Japan's best-selling novelists and winner of the prestigious Tanizaki prize. Half the chapters are set in Tokyo, where the narrator negotiates underground worlds populated by INKlings, dodges opponents of both sides of a raging high-tech infowar, and engages in an affair with a beautiful librarian with a gargantuan appetite. In alternating chapters he tries to reunite with his mind and his shadow, from which he has been severed by the grim, dark "replacement" consciousness implanted in him by a dotty neurophysiologist. Both worlds share the unearthly theme of unicorn skulls that moan and glow. Murakami's fast-paced style, full of hip internationalism, slangy allegory, and intrigue, has been adroitly translated. Murakami is also author of A Wild Sheep Chase ( LJ 10/15/89); his new work is recommended for academic libraries and public libraries emphasizing serious contemporary fiction.
- D.E. Perushek, Univ. of Tennessee, Knoxville
Copyright 1991 Reed Business Information, Inc.
From Kirkus Reviews
Winner of the Tanizaki Literary prize (the Japanese equivalent of the Pulitzer), by acclaimed young Japanese novelist Murakami: a stunning combination of the contemporary and brash with elegiac allegory, all topped off by a strong measure of cyberpunk. The ``hard-boiled'' hero, 35 and divorced, is a man of possessions--a collection of imported whiskeys; interests--old American movies and cooking; but no emotions. Which, coupled with his brilliant work on computers, makes him the ideal candidate for a mysterious aging scientist holed up under the sewers of Tokyo. Here, protected by a waterfall and by flesh-devouring creatures, the INKlings, from the two competing information organizations that control everything in the country, the scientist has devised a perfect secret code by operating on the brains of selected computer workers. The hero, summoned to the scientist's lair, is presented with a unicorn's skull and told of a project called ``The End of the World.'' Alternating between these encounters with the scientist, the scientist's granddaughter, and bully-boys bent on finding out what he knows, there is the story of the ancient walled town at the end of the world. In this home of one-horned beasts, a young man arrives, is separated from his shadow, and is set to work interpreting the dreams of the skulls in the library. The two worlds increasingly connect and at the end fuse, with the hero, though certifiably dead, for the first time morally and emotionally alive and resistant to the society's pervasive control of the individual. One of those rare postmodern novels that is as intellectually profound as stylistically accomplished, by a writer with a bold and original vision. -- Copyright �1991, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
184 of 190 people found the following review helpful.
One of the best books I've ever bought on a whim...
By A Customer
I purchased this book on a whim - the descriptions sounded interesting enough to merit a look.
Boy was I stunned by it. One of the best books I've read in a long time and probably one of the best novels I've read that's been written in the last 20 years.
Beautifully written (and translated) it spoke to many different sides of me. The novel brilliantly fuses a number of different cultural genres (science fiction, mystery, film noir, fantasy, magical realism, "cyberpunk") into a mix that, amazingly, works very well. Try to imagine a collaborative effort by Garcia-Marquez, William Gibson, and Walker Percy and you almost might be able to envision what this book feels like to read. Who else but a Japanese author could make such an intriguing pop culture cocktail?
Besides being a genre-bender, the premise of the book and the questions that it raises concerning the relationship between humanity and technology, the soul and the mind, and the individual and society are quite thought provoking.
Did I mention that the book is very funny at times too?
This is unlike any other book you'll ever read. Definitely worth checking out IMHO.
83 of 90 people found the following review helpful.
The Interconnectedness of All Things
By Bibliophile
This is simply the best book I have ever read! I was hooked from the first page and drawn into the world of the narrator as subtly as one is drawn into a dream. The linking of the subconscious and conscious elements of the mind are at work here, and this is what makes this book all at once so wonderful, disturbing and enlightening. It is a psychological masterpiece and lays bare the interconnectedness of all things- the people in our lives, the places, the choices we make, our dreams, desires, longings and regrets and most importantly, the often inexplicable and enigmatic relationship between our subconscious and conscious mind. The masterful way Murakami interweaves the chapters begins with a divergent simplicity and gradually progresses to a complex, synchronistic web/mandala in which all points share a beginning yet have no end.
85 of 93 people found the following review helpful.
WHICH WORLD DO I BELONG TO?
By Sesho
Hard Boiled Wonderland and the End of the World follows two distinct and parallel storylines, both with unnamed narrators who might or might not be the same person. In the first storyline, the narrator is a "Calcutec", a computer specialist working for "The System" to protect data against the "Semiotecs", an organization of powerful black market information pirates. Called down into the sewers below Tokyo against regulations and against the law, the main character agrees to "shuffle", or encode the work of a nutty professor who says he has discovered a way to make bones talk! His life might be in danger though because all the major powers want a piece of this new technology. This plotline alternates chapters with a more fantasy type idyll about a town surrounded by an impenetrable and unscalable wall, in which the narrator tries to figure out who he is and how he came there. There are other inhabitants but all their comments are pretty cryptic. But there's some bizarre stuff going on. For example, there are unicorns grazing around the town, you lose your shadow, and the narrator is given the job of "reading dreams" from the skulls of strange beasts! He must set about figuring out how to escape unless he wants to be trapped there forever.
This novel was weird but refreshing. I thought it was pretty clever of Murakami to almost write two books in one, the first being a cyberpunk adventure and the other a strange surreal fantasy. But it worked. Don't worry, these two stories within a novel do have a purpose in being joined together, even though you might not understand all the "physics" talk when explanations are given. You get the gist of it. Harold Bloom once said that what gives a novel its lasting greatness is that it has to be strange. Murakami more than lives up to this thought and makes you feel as if you've entered a new world. That's a good thing. It really gives you a sense of wonder and mental adventure which you don't find too often in literature these days. I look forward to reading his other works.
If you liked this book, I would highly recommend viewing a Japanese anime called Haibane-Renmei which was greatly influenced by the fantasy parts of Hard-Boiled Wonderland.
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